CAMERAWORK
Over the past twenty years, Matt Dibble has focused his lens in the Chilean rainforest for “Expedition Alerce: Lost Forest of the Andes”, across the frozen 49th state for “The National Symphony Orchestra in Alaska” and in an unmarked graveyard in rural Georgia for “Without Sanctuary.” He has used a wide variety of video and film cameras, depending on the desired look, and loves to make the camera move, both hand-held verité-style, or with stabilization devices.

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